A World Mid Change

Lisa Brown.jpgI was listening to an excellent webinar yesterday by Lisa Brown, energy-worker/psychic/medium/someone who really knows the subtle fields of energy, and finally heard someone who is completely in tune with what is actually transpiring in the energies around us—in tune with what is happening to us—in tune with what it really means to us if we pay attention to these overpowering energies. (https://www.youtube.com/watch?v=DQZx17f3Tcw&feature=share )

After awhile, she began describing the strangeness I had personally been experiencing lately:  The sudden visual distortions, the flashes of movement in my peripheral vision, the scenes with full audio suddenly playing in my quiet mind of someone’s daily life that doesn’t correspond to mine, the really strange dreams—the “Am I going nuts or what is really happening?” general daily experiences of this life for me of late.

And she explained it slowly, deliberately, and with enough corresponding evidence toshifting human.jpg make sense. We are mid dimension shift…from a lower frequency world to a higher one. Meaning that if you can shift your consciousness high enough you simply cease to view reality in one dimension and view a different reality…a world and players who vibrate/emanate at a higher frequency than the world you previously experienced. Whatever frequency you can tune yourself into and hold in your awareness; that is the world you will experience. But doing so is a choice we must all soon make.

Of course this isn’t going to be an explanation that everyone wishes to believe—and of course also, this isn’t going to be believed by those who can’t personally experience the energetic changes underway.

From the moment we, as babies, were able to hold conscious awareness of our surroundings, those who directly interacted with us told us what the world was like beyond our fingertips. If we saw or perceived something a bit different than their stories of what the world was like, we were corrected and told to view it differently—more like how ‘the cultural collective’ perceived the world to be.

frequency headWe were trained to see the world a certain way—trained to believe the world acted toward us in a certain manner—trained to believe that our perception must match what others perceived, or something was wrong with us. Many who saw/felt/experienced something other than the cultural collective’s accepted perceptions were sent to psychologists and psychiatrists to be retrained in how to perceive the world that we shared.

But personal reality and the collective’s reality weren’t always in lock step with each other—in decades past it was simply less accepted to have a different personal reality than the collective.

What is happening at present is that the collective itself has shifted high enough to shake the boundaries on what is considered the norm of perception. There are enough of us who are energetically enhanced to say, “Hey wait a minute—just because you can’t see what I see doesn’t make me wrong in seeing it.” Psychic and medium shows are standard fare now, and it took those perceptual differences to go mainstream for energy sensitive folks to be willing to stand up and stand out for their enhanced perceptual abilities.vibe frequ explain.jpg

When enough of us can perceive and hold a higher-frequency reality for the smaller cultural collective who are more energy sensitive, then the smaller, higher-frequency collective can shift into a higher dimension of existence.

However, this isn’t an elite club.

It simply means that what you focus on is what you perceive in and receive from the world that you inhabit. Like Dr. Pillai in the previous post saying basically the same thing, except he was trying to appeal to people’s material greed and emotional commitment to creating the wealth and abundance available with such a focused mind and conscious attention to obtaining that goal.

higher see.jpgSame principle here—construct in your mind the most beautiful, peaceful and loving world you can imagine and hold that world constantly in your perception—see that world around you—focus on only those aspects of the world you desire and call it to you—that is how you shift your energies higher and maintain that focus throughout your every day and night.

From a more personally pragmatic point of view, it means I’ll have to stop writing about the lower-frequency idiocy so abundant in the world we Vibe high.jpgpresently share, and change my focus to higher-frequency subject matter, such as this post.

That’s fine. I can do it.

And so can you.

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Shifting Timelines

RCWAgain, been reading lately and have another Robert Charles Wilson book in process. Evidently I enjoy his writing style and skills.

I won’t mention which book it is at this point, but it is one of his earlier ones where he isn’t quite as subtle dipping into his extensive bag of tricks. It’s much easier to see how he’s introducing the characters, settings, and scenarios then interweaving them into the storyline.

Mid-way through this one I realized what an excellent teaching tool his books can be to frog disectcreative writing students—no matter the age. It just takes a little extra time, a few margin notes and a coil notebook to trace all the components as you read through it. Lay the gathered info out like an old-school frog dissection if you want to see what’s inside it—pinning those guts out onto the matrix-cardboard, gore everywhere—all over your desk—all over your shirt—all over the notebook.

Then using a white board to display each chapter (represented by small sheets of paper spaced evenly across and down the board), and using some colored yarn for each significant character, one can track character introductions, interactions, and crescendos across the entire whiteboard—which represents the entirety of the novel. This can be very revealing of an author’s intentions and message.

stephen kingIn novels where the narrator (voice and tone) is the main character, it is easier to follow character timelines—because you basically have one point of reference, but when the perspective is more omniscient or limited omniscient, it is more difficult to effectively regulate the writer’s tone and tempo. Then more obvious time descriptors are often used as headers, such as: “a day later”, “the year after this”, “two years prior,” etc.

Exposing too much information too soon makes for clichéd writing; but offering toodark night little information during early chapters creates reader confusion and lack of interest. So it becomes a balancing act of what and who is introduced when and where.

The big question the writer must always answer is the WHY of what, who, when, and where.

WHY is this character appearing early, middle or late in the story? What makes that character significant to the situation as well as to the integrity of the book itself? There are many ways to tell a story—why is the writer using this method? What’s his rationale?

For instance, right now the Wilson book I’m reading is a story about time-travelers, and as one might imagine, scenes switch all over the proposed timeline represented: present, past, future, past, present,…until you start to wonder aloud: “Wait,….which present am I in? The present in the past or the present in the future, or IS THERE ahere and now PRESENT at all?”

I think that might have been one of his themes for this particular novel: “Is there really a PRESENT?”

It’s interesting to me, because that is the same question that I’m sometimes asked when conducting hypnosis Past-Life Explorations with my own clients.

Mid-journey, the client can be describing to me the events and feelings that she is experiencing during a particular past-life situation in a different time and place—a different body—a different setting—a different country, while I sit in PPFthe chair beside her in the NOW. And to the client who is effectively bi-locating in two places at the same time, she may be asking herself or me, “Which PRESENT am I really in? Am I there? Am I here? …..Where is the present?

Well, as the narrator of this story and my client’s tour-guide through her then-current Past-Life Exploration, I simply tell her: We are right here, right now …wherever that is in your timeline because the PRESENT is a constantly moving target.

It comes. It goes. Yet it still remains…the PRESENT, ….at least as we know it.